Edouard Vuillard
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Edouard Vuillard Museum
November 11, 1868-June 21, 1940. French painter.

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Nesterov, Mikhail
Portrait of Olga Nesterova, The Artist's Daughter

ID: 19635

Nesterov, Mikhail Portrait of Olga Nesterova, The Artist's Daughter
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Nesterov, Mikhail Portrait of Olga Nesterova, The Artist's Daughter


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Nesterov, Mikhail

Russian, 1862-1942 Russian painter. From 1877 to 1881 and again from 1884 to 1886 he studied at the Moscow School of Painting, Sculpture and Architecture under the Realist painters Vasily Perov and Illarion Pryanishnikov. Between 1881 and 1884 he worked under Pavel Chistyakov (1832-1919) at the Academy of Arts, St Petersburg. At the estate of Savva Mamontov at Abramtsevo he met the most influential painters of the period, then at the epicentre of the development of Russian Art Nouveau. Nesterov sought to combine this style with a deep Orthodox belief; however, in his desire to revive religious art he was influenced more by French Symbolism, particularly by Bastien-Lepage, than by old Russian icon painting. All of Nesterov's canvases are marked by a lyrical synthesis between the figures and their landscape surroundings, as in Hermit (1888-9; Moscow, Tret'yakov Gal.), which shows the stooped figure of an old man against a northern landscape of stunted trees and still water. The large oil painting Vision of Young Bartholomew (1889-90; Moscow, Tret'yakov Gal.) depicts the legend of the childhood of the Russian saint Sergey of Radonezh. A monk appears to the young Bartholomew (the future St Sergius) and prophesies a glorious future for him.   Related Paintings of Nesterov, Mikhail :. | Taking the Veil | Portrait of Olga Nesterova, The Artist's Daughter | In Small and Secluded Convents | The Vision to the Boy Bartholomew | Portrait of Elizaveta Kruglikova |
Related Artists:
Arthur Elsley
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Prout, Samuel
English Painter, 1783-1852 Painter, draughtsman and writer. Together with his fellow pupil Benjamin Robert Haydon, Prout was encouraged to study drawing by the headmaster of his grammar school in Plymouth. In 1801 he met the topographer and antiquarian John Britton, who, impressed with his work, invited him to London the following year to make drawings of antiquarian subjects and copy works of other artists, including Thomas Hearne, William Alexander and J. M. W. Turner.
Albert Hertel
painted Mannlicher Ruckenakt in 1864






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